October 15 through December 1



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Current Issue

ISSUE 23_2COVER-Website

Poetry by Rusty Morrison and Bruce Smith. Fiction by Angie Kim. Nonfiction by Goolsby and MacIvor-Andersen. Interviews with Bill Roorbach, Mary Szybist, and Mark Doty.

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Telling Stories Talking Craft

Sycamore Review's collection of interviews with contemporary fiction writers, including Michael Chabon, Richard Ford, Jane Hamilon, and many more, is now available from our publishing partner, Parlor Press.



Writing YA: An Interview with Patricia Henley & Elizabeth Stuckey-French

booksEarlier this fall, I found out that Patricia Henley and Elizabeth Stuckey-French co-authored a young adult novel, Where Wicked Starts. I’ve always loved reading YA, but I was especially excited to hear about this publication because Henley and Stuckey-French have both been a part of my education as a writer. My first year in Purdue’s MFA program was Henley’s last before she retired from the university to move closer to family. I was fortunate enough to have her for a semester of workshop, and I remember her encouraging us to write the story only we could write. Stuckey-French, though she doesn’t know it, also taught me. Back in 2003, my first year of college, a textbook she co-authored with Janet Burroway and Ned Stuckey-French, Narrative Fiction: A Guide to Narrative Craft, helped me …MORE


2014 Wabash Prize for Nonfiction Now Open – Judged by Leslie Jamison

Leslie JamisonWe are pleased to announce that the second annual Wabash Prize for Nonfiction is now open! Bestselling author Leslie Jamison will serve as the final judge.

First prize in the contest is $1,000 and publication in the next issue of Sycamore Review.

Leslie Jamison is the author of The Empathy Exams, a New York Times bestselling essay collection, and a novel, The Gin Closet, a finalist for the Los Angeles Times First Fiction Award. Her work has appeared in Harper’s, Oxford American, A Public Space, Boston Review, Virginia Quarterly Review, The Believer, and the New York Times, where she is a regular columnist for the Sunday Book Review. She was raised in Los Angeles and currently lives in Brooklyn.

The deadline for the 2014 Wabash Prize for Nonfiction is December 1. The $15 entry fee includes a prize copy of …MORE


2014 Wabash Prize for Poetry Now Open – Judged by Bob Hicok

Bob HicokContest season is upon us! Our second big fall contest, the Wabash Prize for Poetry, will be judged this year by none other than Bob Hicok. Interested poets may enter three poems for the submission fee of $15 ($5 for each additional poem) to be considered for the 2014 Wabash Prize, which awards a $1000 honorarium along with publication in the magazine.

Entries fees include a prize copy of the magazine. The contest is open through December 1. For full guidelines, see the contest page.

Bob Hicok’s seventh collection, Elegy Owed (Copper Canyon, 2013), was a finalist for the National Book Critics Circle Award. His previous collection was Words for Empty and Words for Full (University of Pittsburgh Press, 2010). This Clumsy Living (University of Pittsburgh Press, 2007), was awarded the 2008 Bobbitt Prize from the Library of Congress …MORE


Wabash Prize for Poetry and Nonfiction Opens October 15

Start gathering your best poems and most captivating nonfiction. The Wabash Prize for Poetry and the Wabash Prize for Nonfiction will open on October 15! We’re excited to announce that award-winning poet Bob Hicok and acclaimed essayist and novelist Leslie Jamison will be this year’s judges.

First prize in both contests is $1000 and publication in Sycamore Review.

The contest is open through December 1, 2014. For full guidelines, see the contest page.


Meditation & Mentorship: An Interview with Ruth Ozeki

static.squarespace I’d never written a fan letter, but after finishing Ruth Ozeki’s A Tale for the Time-Being and enduring a series of events procuring the book that seemed straight of Ozekiland (a library adventure, a doppelgänger, a loss, a recovery), I wrote to Ozeki and asked if she would speak to me. I was completely unsurprised, and delighted, that she agreed.

I am a poet haunted by the right ways to wrangle with questions of identity, biculturalism, hybridity, Asian-ness, Americanness, femininity, feminism, mothers, aging. I’m haunted by questions of whether the airless unit of language can convert something as complex as a between-self. A poet drawn to long-form narrative but daunted by the technical rigors involved in media-swapping (time and plot, in particular). I had, then, stalked Ruth Ozeki since I’d first heard about her through alumnae of …MORE