John Randolph Carter, “Luggage” and “Whether the Weather is Wetter”
WINTER/SPRING 2013
ISSUE 24.2

Adam Day, “[From such material it is almost impossible to create a picture of life]“
Miriam Bird Greenberg, “It’s Hard to Forget”
Benjamin Sutton, “Eternity, Ohio”
SUMMER/FALL 2012
Alec Hershman, “The Black Ducks”
Michael Hurley, “Darwin”
Emilia Phillips, “Latent Print: Ars Poetica”
Michael Martin Shea, “J. Robert Oppenheimer’s Open Letter to Japan”
Michael Tyrell, “Landscape with a Burning City” and “Primal Scene”
WINTER/SPRING 2012
Emilia Phillips, Introduction, “Subject in Position of Soldier with No Arms”
David Thacker, “A Fetus Dreams of Politics” and “Pears”
SUMMER/FALL 2011
Adam Day, “A Polite History” and “To Rights, the Abattoir”
Alexander Lumans, “Looking over His Shoulder, Eadward Muybridge Addresses the Mirror”
WINTER/SPRING 2011
Jared Harel, “My Grandfather’s Second-to-Last Heart Attack”
Matthew Lippman, “This Holy Trinity of Blood and Flashlights”
SUMMER/FALL 2010
Rachel Mennies, “V in the Den, After Packing Her Things”
Rita Mae Reese, “The Alphabet Conspiracy”
WINTER/SPRING 2010
Martha Greenwald, “Generic Princess Book”
Christopher Kempf, “Stack Sex”
Sean Prentiss, “Infidelity of Songbirds”
KC Trommer, “The Mechanism of Pleasure”
WINTER/SPRING 2009
Abraham Burickson, “The Hourglass”
Cindy May Murphy, “For My Father, Who Fears I’m Going to Hell”
WINTER/SPRING 2007
















