INTERVIEW
Rupturing the Syntax of Crime: An Interview with Donald Revell
POETRY
Sunday Nights In The Fifties by Maura Staunton
Coleus and The Heirloom by Ionna-Veronika Warwick
Poem for the Brother and Grandfather William by Suzanne Keyworth
What I Knew by Kathryn Kirkpatrick
Owls, The Gift and Brain Teasers by Gray Jacobik
Willow Ware by Charles W. Darling
Still Life With Pear by Clare Rossini
Picaresque and Love Song by Khaled Mattawa
Pennsylvania Turnpike, West by Richard Nester
Transparent Things by Tom Andrews
Two Novels, House-Hunting, A Series of Failures So That I’m Sick of the World and Memorial by Laura Mullen
That Domestic Circle and Shipshewana by Helene Barker
Erma Jacowitts Pleads Her Case and The Sun Workers by Mary A. Koncel
Dahlias by David Marlatt
Sherwood Estates by Lisa Mahoney
Don’t It Make Your Blue Eyes Cry by Robert Parham
My Father’s Breakfast by Donna Spector
All The Way Back, Nothing Left To Chance and The Easy Part by Jack Grapes
Eighth Grade Science at Blessed Sacrament by Richard Cecil
Beginning Art, In Two Parts by Alissa Reardon
While We Watch by Stuart Friebert
The Dancer by Michael Carrino
Grandfather’s Garden by Christine Stephens
The Plum Tree by Patricia Hooper
Magi and Crows by Fleda Brown Jackson
Sycamore Bay by Jacqueline Marcus
FEATURED POET
News, Out Back, Rushing Back, Seems To Me and View by Beth Stahlecker with an
afterword by Ellen Bryant Voigt
TRANSLATIONS
Jules Supervielle’s The First Days of the World, from 1939-1945 Poems and from Fable du Monde translations by Geoffrey Gardner
Tauno Ylirussi’s A Mayday Memory and On the Staircase translations by Richard Impola
FICTION
Quitting Time by Robert E. Geyer
The First Bitter Taste by Barbara A. Fischer
Ozzie by Frances Park
The Rainbird’s Song Tod Marshall
Bogota by Julie Schumacher
