Telling Stories Talking Craft

Sycamore Review's collection of interviews with contemporary fiction writers, including Michael Chabon, Richard Ford, Jane Hamilon, and many more, is now available from our publishing partner, Parlor Press.
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BLOG by Conor Broughan, Fiction Editor
We here at Sycamore Review were honored to publish Greg Schutz’s beautiful story “You are the Greatest Lake” in Issue 23.1, so we are thrilled that the story has been selected for New Stories from the Midwest 2012 (Indiana University Press), guest edited by Rosellen Brown.
The forthcoming New Stories from the Midwest 2011 will include contributions from Charles Baxter, Christine Sneed, Dan Chaon, Rebbeca Makkai and Anthony Doerr. We think Greg’s story will find a nice comfortable spot in equally good company in the 2012 edition.
Order a copy of Issue 23.1 for a look into some great writing from the Midwest and beyond. Take a look at an excerpt of the story and a short interview with Greg Schutz if you need any more convincing.
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BLOG by Conor Broughan, Fiction Editor
It’s been exhausting trying to keep up with Edith Pearlman lately. She contributed a wonderful story, “Last Words,” in issue 23.1 before publishing her collection of new and selected stories Binocular Vision. After receiving the Pen/Malamud Prize for short fiction, she was nominated as a National Book Award finalist. The finalists for the National Book Critics Circle awards were announced this weekend and guess who is a finalist: Edith Pearlman. Pick up your copy of issue 23.1 today and read “Last Words” to see what all the fuss is about.
If you live within shouting distance of West Lafayette, be sure to join us on Tuesday, March 27th when we’ll be honored to have Edith Pearlman on campus for a reading and Q&A session. I have a feeling …MORE
BLOG by David Blomenberg, Sycamore Review Contributor
My strange reading coincidences continue. Wayne Miller’s wonderful poetry collection The City, Our City (a review of which appears in our most recent print issue) was part of an uncanny string of books I was reading that had to do with the formation and destruction of cities. The very next two books I picked up after writing that review continued the trend. It was a bit spooky, to be honest.
With a title like Songs and Stories of the Ghouls, it might at first blush appear as if the release date (at the beginning of November) of Alice Notley’s latest book might be part of a Halloween-themed publicity campaign. But considering that few poetry books get a publicity campaign of any sort, and in spite of ghouls and blood-sacs (more on that anon) and scattered …MORE
NEWS by Jacob Sunderlin, Co-Editor of Poetry
Ron Padgett, poet, author of some twenty volumes, memoirist, collaborator, badass, septuagenarian, translator, Okie, grandfather, has earned himself the right to start a poem thusly:
There’s not a lot of time to think when one is assailed by activities and obligations and even less time to do it when one is free of them because then one spends one’s time thinking about how little time there is.
Sometimes, when talking about poems, poets, or recent collections with poet friends, I’ll try and distinguish between poets I like “as a writer of poems” (read: poets whose techniques I find “fresh,” whose “voice” I respect, whose “language” is “interesting”) and poets whose work I like “as a Jacob” (read: poets I want to drink for breakfast). This is sometimes an unpopular (read: schizophrenic) perspective, but—for me—is the …MORE
INTERVIEWS by Jacob Sunderlin, Co-Editor of Poetry
When I was seventeen, I ganked the Outlaw Bible of American Poetry from the public library and found three poems by David Trinidad anthologized between Bob Kaufman and Woody Guthrie. This was—to my mind—pretty much the coolest thing ever. In his newly-published and completely-addictive Dear Prudence: New and Selected Poems, Trinidad has given us a prismatic funhouse of contemporary poetry, full of Yardley Slicker lipgloss, NRFB (never removed from box) collectible Barbie outfits, and Sylvia Plath. In this cultural detritus, Trinidad finds something thrilling, something human, and a poetry as formally unexpected and inventive as its subjects. He was kind enough to speak with Sycamore Review recently and discuss some his most recent projects.
Sycamore Review: This was a big year for you—your selected poems were published, as well as the …MORE
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